Though not the best interview ever, The work that Ken Goldstein is doing, and the technology he is utilizing is intriguing. Skip to the 2:00 mark to cut to the chase.

Kenneth Goldstein is a professor of Political Science at the University of Wisconsin-Madison, and works with media tracking and strategy company Kantar Media. Tracking audio patterns in political campaigns with Cold War submarine technology seems to be only the tip of the iceberg.

I’m going to have to learn more about Kantar.

A completely unrelated image

© gabriel melcher

The eccentric Zizek refers to how elevator door buttons work to elucidate his position on the power of political voting. He says that voting for political office is like the open/close door button inside of elevators; you press the button but the door acts on its own time. The button is essentially there to make you feel like you are doing something in the situation. Likewise, voting does not effect the actual political situation but is only there as a symbolic gesture that satisfies nothing more than a ‘sense’ of purpose.

As much as I agree with this sentiment on a foundational level, it is a bit crude. Some elevator open/close door buttons really do seem to respond. Perhaps a more illustrious analogy would be how intersection crosswalks work.

Just like the elevator analogy intersections provide the passerby with a button, which is supposed to be responsive to interaction. At large intersections, with busy traffic for most of the day, these buttons seem so ineffectual that most often when there are three, four, five people waiting to cross the street no one will press it. Rather, they will wait for the light to change on its own. What actually causes the light to change at such an intersection is likely that the light is a ‘smart-light.’ This means that under the road, right where the first vehicle stops for a red there is a sensor. When enough weight presses on this sensor it begins a timer to change the light. So, instead of the light changing because of a pedestrians needs the light changes due to the flow of traffic, a larger process.

This, though is not the case for some smaller intersections, particularly those that have heavy traffic on one axis but not the other. At these lights, one can visually see the effectiveness of pressing the crosswalk button. In these instances it makes sense to have the crosswalk button actually be effective because if the traffic was left up to itself the light would essentially never change to allow for pedestrians to cross.

It is this variability which makes crosswalks a more illuminating analogy for political voting than elevators. Just like the heavy intersections, the presidential campaign is essentially governed by a higher order process than the vote itself and for this reason most don’t even bother to participate. Whereas on the other hand, just like smaller intersections in more localized political voting processes voting takes on effective significance.

- Walter Friederichs

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Here are some poster/profile designs I created for Walter Friederichs (who contributes writing periodically to Deskript). His musical moniker is Vissenkunstler. Check out his sounds here.

You can find his essay on Glitch here. 


I want to share a blog I have been keeping up with for a while. The New Inquiry is an excellent blog of criticism, culture, and essays. After a new redesign, and adding a cadre of new and colorful bloggers to their regular team, TNI is looking better than ever. You can also submit your own essays to if you so desire. You can also check out their tumblr here.

One of my most recent favorites: I Have No Mouth but I Must Scream explores use and exchange value and the emotional and psychological affect of representation, traveling from the plastic eyes of Hello Kitty to the c’est ne pas of Rene Magritte.

This is from their ‘About’ page:

The New Inquiry is a space for discussion that aspires to enrich cultural and public life by putting all available resources—both digital and material—toward the promotion and exploration of ideas.
The New Inquiry is a 501(c)3 non-profit and is not affiliated with any political party, government agency, university, municipality, religious organization, cadre, or other cult

David Polka is an artist and graphic designer living in Oakland, California. He also blogs on Slow Cool Assault along with a few other local (ABQ) artists. Originally from the 505, Polka moved out to the bay this past year and is hitting it big. His work is gracing the walls of Old Crow Tattoo & Gallery this March. If you’re  near the Bay, check it out!  See more of his work here.


                          Don’t Sleep Web                                                                      Puro

Selah

   Transfix

Mural: Dave Polka, Thomas Christopher Haag, Ernest Doty

© Gabriel Melcher 2012

So, it has been a little while since my last post here on Deskript. Accompanying this image is another gem emanating from the saucy incandescence of Dave Hickey’s oeuvre…

One wonders, however, whether we do well to ground our standards for the pleasures of art in the glamourous tristesse we feel in the presence of these institutionalized warhorses – whether contemporary images are really enhanced by being interned in a museum at birth and attended as one might a movie, whether there might not be work for them to do in the world among the living.

- from the essay, Enter the Dragon: On the Vernacular of Beauty, by Dave Hickey

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I recently discovered the Typography and Design of Marian Bantjes
Amazing work.
Enjoy.

Her official site. And watch her TED talk, Intricate Beauty by Design.